finishing your documents with our expertise in Binding

June 3rd, 2009

Cerlox Binding
This plastic binding is excellent for books that need to lay flat.

Plastic Coil Binding
The plastic binding actually threads through the book and is the most durable “layflat” binding we offer - available in many colors.

Three Hole Punched Binding
Three-hole punched binding means your book will be placed in a binder. We can print and punch the sets for you and separate them with a colored slip sheet or plastic shrink-wrap. We can also insert colored sheets to be used as dividers or provide actual tabbed dividers.

Perfect Binding
We usually bind very large books with “Perfect Bind” (our most popular binding, a hot melt adhesive glued binding). The binding of Large books can be inherently unstable because of their sheet size. We have become specialists in printing and binding high page count books that other printers would never dream of taking on. Perfect binding means your soft-covered manual is glued at the spine to give you the look and feel of a book you might find at the library. This professional-looking binding is both durable and the most economical. Because the book’s title is printed on the spine, a reader can easily identify it on their shelf.

Perfect Case Binding
Perfect case binding is a similar process to Perfect Binding except that the inside pages are adhered to a hard bound cover, not soft. This is a more expensive process and requires more time, but it is a true hard bound book that will be more durable than a soft binding.

Saddle Stitched Binding
Saddle-stitch or stapling is good for smaller page-count publications like newsletters, brochures or individual papers.

Flyer Printing

April 29th, 2009

Various companies have been using flyers as a great marketing medium to promote their business. In fact, flyers have been a vital part of many companies’ marketing strategy for so many years. And, there is no doubt that flyers printing  have proven their worth in providing any business success, when it comes to advertising a product or service.

In spite of the online marketing boom, flyer printing still considered as an active and successful tool of advertising. Many businessmen believe that this is one of the most powerful marketing tools in the present time regardless of your business type. Now, let’s talk about different key benefits of flyer printing and why they are important for small business growth and how these compare with online marketing.

The Banner Printing

April 29th, 2009

Banners are considered as one of the most powerful tool for advertising or marketing a product/ service of a company. Most of the organizations have been using this successful technique to broadcast their message. Plus, one can place his message in catchy and condensed format on the banner printing. That’s why, in age of dotcom, banner printing is regarded as one of the best form of marketing tools in promoting a business. There are lots of reasons behind the popularity of banner printing. Like, banners are not only cost effective advertising means but they also have the ability to put across your message strongly and precisely. And, it can help your business to grow in many ways possible. This format advertising can create and leave bigger impression on your potential customers.

Tips on Designing a Good Business Card

April 27th, 2009
  • Keep your business card simple - Your business card design should be very simple. Simplicity is elegant. Too much clutter make cards look tacky.
  • Avoid large pictures in the background - Avoid images of men shaking hands, landscapes or any other large images in the background. This makes your design look very amateur. Keep a generous amount of white space
  • Use no more than 2-3 fonts in the business card design - Try and restrict yourself to using one font-you will find the results more pleasing. You can play around with different point sizes and thickness of the same font for various pieces of text.
  • Make sure the images/symbols you use are at least 300 dpi - For flawless printing, it is advisable you use images which are at least 300 dpi in resolution.

Professional Business Card Templates

April 27th, 2009

Choose from 60 different categories such as artist business card template, real estate business card templates, photography business card templates, computer business card templates, hair salon business card template, automotive business card templates, interior design business card template, blogger business card and many more.

Business Card Printing Services, Layout, Sample Templates, and Design Software

If you happened to be looking for business card sample template, look no further. Ooprint has it, they have the most professional looking business card templates in the market. These templates are compatible with the following programs/software:

  • Indesign business card template
  • Microsoft Office business card templates
  • Publisher business card templates
  • Adobe Illustrator business card template
  • Powerpoint business card template
  • Office 2007 business card template
  • Excel business card template

Saving newspapers: Decapitalize printing

April 27th, 2009

Digitize printing: At some point, many American newspapers will, or should, cross a line where it would be more practical and cost-efficient to sell off high-speed newspaper presses and replace them with digital print-on-demand units spread in distribution centers across their local markets. Fortunately, newspapers with different business models in emerging international economies still want presses, so good used printing equipment fetches more than salvage rates.

It still costs more per copy, above a fairly low press run threshold, to roll out periodicals on digital printers than high-speed offset printing presses. Those lines, however, cross at a higher press run threshold every year. As it stands, the digital process generates far less waste, offers far more configuration options (paper size, folding/binding, color) and allows more granular tailoring of the output right down to different contents in each copy.

Watch Dan Pacheco’s Printcasting developments closely. My read: This project attempts to cut cost, waste and inflexibility out of producing printed periodicals, while adding customization and speed to market for publishers of most any scale. I don’t know if it will work — Pacheco doesn’t either, I’d guess. But it represents a creative, logical and valiant effort, with realistic chances of success.

Any such conversion becomes expensive for an incumbent local newspaper that owns “big iron” presses. In that case, you can’t just stop what you’re doing and sell the big presses, then use the money for the digital printers. Holding company CFOs probably would line up to remind me many companies cannot service current debt, let alone float more for the transition. Junk bonds, anyone?

I imagine, therefore, that Pacheco’s experiments and others like them may favor new entrants to local economies for printed news and information. Incumbent holding companies might be able to free up funds for capital investment by consolidating printing if they are fortunate enough to have local newspapers clustered geographically in ways that would support regional printing centers. One press rolling off 10 newspapers in a 100-mile radius saves money vs. 10 presses, or even five, printing the same titles. That short-term efficiency might release funds to invest in digital printing that could, eventually, replace even the remaining central press.

Of course, that approach presumes you have to buy the digital equipment outright. You don’t. Through direct leasing or partnerships with digital print shops (e.g., FedEx Office, nee Kinko’s, and its kind) you could try before you buy, or skip the buy step altogether until and unless it makes financial sense to own depreciable capital.

Customization: Digital printing allows much more granular customization of the printed products. “The Daily Me” becomes more tangible in print vs. just pointing locals to a me-too version of My Yahoo on the Web.

(Reminder: One time only, we’re stipulating that the future for print newspapers is not inextricably tied to interactive services, and focusing only on ways print might survive. If you think everything’s going online no matter what, this whole line of reasoning probably means nothing to you, and that’s OK. Thanks for stopping by, and please avail yourself of the 99 out of 100 posts here that focus on interactive media instead of print.)

I recommended print product customization years ago to cater to niche interests, but in broad strokes that seem crude by comparison to what we could do now. I did not presume at that point that we would decapitalize printing and shift to more nimble digital equipment. But at that time, though we all feared it, no one really forecast the steep slope of today’s decline in business fundamentals.

Frequency: Moving printing from a central facility to distributed digital presses means shorter transportation distances — in some cases, no transportation at all. Eventually digital printing could achieve a price point where it makes sense to replace dumb boxes at single copy points of sale with on-demand printers. People buying a paper at the nearest convenience store would always get an up-to-the-minute edition that way.

In that world, online represents instant plus archival information on demand; single copy represents the freshest news “snapshots” with print portability, fidelity and disposability; and home delivered print still represents the old tradeoff of doorstep convenience vs. information time lag. Even for old-school home delivery, you shorten the time lag by moving good-quality printing out closer to the customers. But I guess home delivery might not survive — might not need to — even if the rest of this digital printing franchise succeeds.

I wrote most of this post last night, then decided to sleep on it before posting. I’m glad I waited.

Newspaper industry executives soon will convene at MediaXChange, the newly coined uberconference and trade show put on by the Newspaper Association of America. I’m going, so I started receiving direct mail solicitations from vendors coming to this show a week or so ago. This morning, I received a vendor postcard that was obviously digitally printed, and customized with a headline and marketing copy that included my name several times.

Though the vendor’s products run a bit out of scope for my “day job,” the custom digital printing made me take notice. Print still has power when the beholder finds it relevant.

I would humbly suggest that executives in attendance at MediaXChange walk the floor hunting for ways to use this same approach for our own venerable direct-distribution products: printed newspapers. The adaptations I noodled through here may not be enough, or even in the correct direction, to save print. But print won’t last anyway as long as we’re chained to those expensive, depreciating, big-iron presses.

Digital printing tips

April 27th, 2009

gen_digital-print-gamut.jpgDigital printing is a great way to produce low-quantity, fast turnaround color printing. In the past, digital meant extremely low quality, but these days some of the digital presses can reach near offset quality if you know a few tricks. Here are just a few things to keep in mind when printing digitally.

Gamut

Gamut is the term used to describe the range of colors that a specific printing device can produce. If you’re coming from CMYK offset printing, you’ll be pleasantly surprised to find out that digital presses can handle up to a 20% wider color gamut. What this generally means is that you can use redder reds, greener greens and bluer blues. This can be a real plus when designing your marketing materials that have vivid images that traditional printing simply cannot reproduce in the CMYK color space.

Now that you understand color gamut, let’s move on to how you can put it to work…

Rich Blacks

If you’ve ever made the mistake of printing a large solid black area using only black ink, you no doubt found out what a rich black can do for you. In traditional offset printing you typically use a rich black formula of 60% cyan, 40% magenta, 40% yellow and 100% black – which gives you a total ink limit of 240%. This will give you a nice deep black in large solid areas.

With digital printing, you don’t need quite as much ink coverage to attain a deep rich black – which has the added bonus of allowing you to use smaller reversed out type as well. While 100% black alone will give you a much nicer black area when printing digitally compared to offset printing, you can get a nice rich black using less ink coverage by using the formula of 40% cyan, 20% magenta, 20% yellow and 100% black.

Pantone Colors

While digital presses, much like CMYK inks, cannot reproduce Pantone colors with 100% accuracy, you can typically get a little closer when printing digitally due to the fact that color gamut is wider that when you use CMYK offset printing. Go ahead and specify Pantone colors, I think you’ll be pleasantly surprised.

Solids, Tints and Blends

There are a few areas where digital printing simply cannot stand up against traditional offset printing. Specifically, large solid areas. If you can’t avoid using large solids, try adding a slight “noise” or “texture” in the area in Photoshop. This helps avoid the banding found in solids when printing digitally. The technique also applies to gradients, which also suffer from banding when printing digitally.

Tints (a percentage of a solid color) should not be less than 15% of the original color. Anything less than 15% will most likely begin to appear spotty, grainy, or simply not show up at all. Noise or slight texture to tints less than 40% will help greatly as well.

Gradients and blends should be less than a 50% value change over 2 to 4 inches to attain the best results. In other words, if you’re trying to go from red to green in a gradient across a 12 inch wide area, you are not going to be happy with the results. But going from red to blue in a 3 inch area will probably look great, as would going from yellow to green in the same area.

Another tip for blends or gradients where the beginning or end color is white is to NOT use the color white as the color. Instead, use 0% of the starting color. For example, to go from 100% Pantone 360 to white, set your gradient 1st stop to 100% Pantone 360 and the second stop to 0% Pantone 360 (rather than 100% white). This makes it easier for the software to come up with a smoother gradient because it thinks it only has one color to deal with, rather than two.

In general, just try to avoid large solid areas of ink. Digital presses really shine when printing images, so take advantage of that!

Dot Gain and Font Sizes

With traditional offset printing you have to be concerned about dot gain. Dot gain is the process of the ink filling in the areas between the halftone dots as it dries on the paper. Digital printing beats the snot out of offset printing because there is no ink to gain, and there is no dot to fill in. What this means is that your images won’t get darker when printed, and your font sizes can be as small as 4 points on some digital presses and still be perfectly readable.

Final Notes

In some respects, digital printing is very much like offset printing as far as the pre-press area is concerned. Things you should do for setting up files apply to both methods and will always yield better results. Some of those things are:

  • Image files should be 300dpi – no more, no less
  • Scanned images should be scanned in RGB mode and converted to CMYK after (though some digital presses can actually print RGB images)
  • Images should be scaled in Photoshop to the size you wish them to be output, not placed in Adobe InDesign and scaled from there
  • Do NOT mess with color trapping. Let the printer and the RIP worry about it. If you do set specific trapping to your files, alert your printer to this fact so they can make sure that your carefully trapped file prints the way you intended it to.

Digital printing is a great way to produce low-quantity, fast turnaround color printing. In the past, digital meant extremely low quality, but these days some of the digital presses can reach near offset quality if you know a few tricks. Read on for a few things to keep in mind when printing digitally.


The Printing Press’s History in Europe

April 27th, 2009

He who first shortened the labor of copyists by device of movable types was disbanding hired armies, and cashiering most kings and senates, and creating a whole new democratic world: he had invented the art of printing.
(Thomas Carlyle, Sartor Resartus, 1833)

The Renaissance spread to Germany, France, England, and Spain in the late fifteenth and the sixteenth centuries. In its migration northward, Renaissance culture adapted itself to conditions unknown in Italy, such as the growth of the monarchical state and the strength of lay piety. In England France, and Spain, Renaissance culture tended to be court-centered and hence anti-republican. In Germany, no monarchical state existed but a vital tradition of lay piety was present was present in the Low Countries. The Brethren of the Common Life, for example, was a lay movement emphasizing education and practical piety. Intensely Christian and at the same time anticlerical (shades of what was to come!), the people in such movements found in Renaissance culture the tools for sharpening their wits against the clergy — not to undermine faith, but restore its ancient apostolic purity.

Northern humanists were profoundly devoted to ancient learning but nothing in northern humanism compares to the paganizing trend associated with the Italian Renaissance. The northern humanists were chiefly interested in the problem of the ancient church and the question of what constituted original Christianity.

Two factors operated to accelerate the spread of Renaissance culture after 1450: growing economic prosperity and the printing press. Prosperity — the result of peace and the decline of famine and the plague — led to the founding of schools and colleges. In these schools the sons of gentlemen and nobles would receive a humanistic education imported from Italy. The purpose of such an education was to prepare men for a career in the church or civil service.

Sometime in the 13th century, paper money and playing cards from China reached the West. They were “block-printed,” that is, characters or pictures were carved into a wooden block, inked, and then transferred to paper. Since each word, phrase or picture was on a separate block, this method of reproduction was expensive and time-consuming.

The extension of literacy among laypeople and the greater reliance of governments and businesses upon written records created a demand for a less-costly method of reproducing the written word. The import of paper from the East as well as “block-books” (see above), were major steps in transforming the printing of books. However, woodcuts were not sufficiently durable as they tended to split in the press after repeated use. Furthermore, a new block had to be carved for each new impression, and the block was discarded as unusable as soon as a slightly different impression was needed.

By the middle of the 15th century several print masters were on the verge of perfecting the techniques of printing with movable metal type. The first man to demonstrate the practicability of movable type was Johannes Gutenberg (c.1398-1468), the son of a noble family of Mainz, Germany. A former stonecutter and goldsmith, Gutenberg devised an alloy of lead, tin and antinomy that would melt at low temperature, cast well in the die, and be durable in the press. It was then possible to use and reuse the separate pieces of type, as long as the metal in which they were cast did not wear down, simply by arranging them in the desired order. The mirror image of each letter (rather than entire words or phrases), was carved in relief on a small block. Individual letters, easily movable, were put together to form words; words separated by blank spaces formed lines of type; and lines of type were brought together to make up a page. Since letters could be arranged into any format, an infinite variety of texts could be printed by reusing and resetting the type.

By 1452, with the aid of borrowed money, Gutenberg began his famous Bible project. Two hundred copies of the two-volume Gutenberg Bible were printed, a small number of which were printed on vellum. The expensive and beautiful Bibles were completed and sold at the 1455 Frankfurt Book Fair, and cost the equivalent of three years’ pay for the average clerk. Roughly fifty of all Gutenberg Bibles survive today.

In spite of Gutenberg’s efforts to keep his technique a secret, the printing press spread rapidly. Before 1500 some 2500 European cities had acquired presses. German masters held an early leadership, but the Italians soon challenged their preeminence. The Venetian printer Aldus Manutius published works, notably editions of the classics.

The immediate effect of the printing press was to multiply the output and cut the costs of books. It thus made information available to a much larger segment of the population who were, of course, eager for information of any variety. Libraries could now store greater quantities of information at much lower cost. Printing also facilitated the dissemination and preservation of knowledge in standardized form — this was most important in the advance of science, technology and scholarship. The printing press certainly initiated an “information revolution” on par with the Internet today. Printing could and did spread new ideas quickly and with greater impact.

Printing stimulated the literacy of lay people and eventually came to have a deep and lasting impact on their private lives. Although most of the earliest books dealt with religious subjects, students, businessmen, and upper and middle class people bought books on all subjects. Printers responded with moralizing, medical, practical and travel manuals. Printing provided a superior basis for scholarship and prevented the further corruption of texts through hand copying. By giving all scholars the same text to work from, it made progress in critical scholarship and science faster and more reliable.

Comments about Shanghai Justfine Printing

April 21st, 2009

“Justfine always completes our jobs quickly and professionally , the price is also very competitive.The staff are always friendly and welcoming.Thank you!”

 

“Exceptional service from artwork creation to the final product.Justfine provided top quality printing.Fantastic personal service.Well done!”

 

“Justfine offered us high quality printing,efficient delivery and considerate customer service.It has been a pleasure for us to  do  business with their friendly staff indeed.”

 

 

“I am the boss of ROSE restaurant ,Justfine actually takes my commercial promotion business these years, my posters, menus, order forms, brochures, gift box, business cards, postcards etc are all done buy them. We two businesses are growing up together, thank you! my sincere friend.”

 

“Jusfine holds Shanghai’s leading facility with in-house service that encompass all phases of printing—from design to prepress to sheetfed & web printing,to packaging ,to finishing , to mailing & delivery,which is truly second to none.”

 

“Since switching to justfine as our new print supplier,we have experienced quick turnaround time on our jobs especially when we have an important deadline.Justfine has never let us down!”

 

Top-ranking Service Team

April 21st, 2009

Success in our business will always be with our clients and their success. Teamwork remains a priority. By working together, we serve our clients’ needs, and pay close attention to detail and execution. The results can’t be beaten. There is no substitute for excellence. Success is not a product, but the result of something more powerful – the pursuit of excellence. Integrity is at the heart of what we are all about as a leading printing company. As distinct from most printing companies, Justfine provides superior quality at an affordable cost where customer convenience is our heavenly mission. The volume of regular business from satisfied customers is a testament to our success as a leading online printer.

 

*Has nearly 700 employees

*Round-the-clock service

*Direct contact with our professional servers

*Immediate inquiry on the line

*Convenient file transfer  

*Compatibility of multiple file formats for printing.